WoS İndeksli Yayınlar Koleksiyonu

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  • Article
    Space as a Source of Alienation in the Context of Migration Debates
    (Yildiz Technical Univ, Fac Architecture, 2022) Ulubay, Serhat; Onal, Feride
    Migration is one of the main agenda items of the time we live in. Migration mobility, which is defined as an act of displacement in its basic meaning corresponds to a process affecting many dynamics. It does not seem possible to make an overarching immigration definition due to the reasons for its emergence, the effect it creates on the social structure and the difference in its results. The phenomenon of immigration existing in the literature with definitions closer to its essential sense such as 'spatial mobility', 'act of displacement', 'transition from one place to another with the intention of settlement' does not contain the content of an absolute border crossing action. Crossing a border does not end the act of migration, but immigrants encounter ethnic, religious, social, class and many other thresholds and borders. For this reason, migration is not just an act of displacement. Immigrants migrate to places, cultures, social structures, life and many other aspects of new geographies. Social elements and spaces established with daily lives are one of the thresholds faced by the immigrant. Immigrants are stuck between the places in their geographies and the places and lifestyles in their new places where they came through immigration. This contrast manifests itself as soon as they step into a new geography and this situation transforms into an element of oppression for immigrants. The migration does not only correspond to the loss of physical spaces, but also to the dissipation of all social and daily life. For that reason, Arent, Heidegger and Blanchot define migrations of the current time period is independent of a physical displacement, alienation from the social and daily life acts to which one belongs and estrangement of the individual from his own essence. Alienation of one's own self, identity and sociality, drags them into an everlasting migration. For this reason, Blanchot emphasises that immigration starts as soon as the immigrant gets used to the places where he/she migrates, not when he/she fails to get used to the places. It is worth remembering that the space cited here has abstract content as well as concrete construction activity. Space according to Lefebvre exists as a product of the cultural, social and historical acts of societies. For this reason, it is specific to a community. It incorporates not only a concreteness, but also the mentality containing the traces of communities. Space represents a critical threshold in debates about immigration. For immigrants, space is both the grounds fin- establishing a sense of belonging and preserving their own identity, as well as the source of alienation and mental migration. This contrast is discussed in the study through Derrida's "hospitality" statement and the concepts of spatial memory and belonging. Immigrant according to Derrida, encounters a sovereign power defining itself as the owner of the place, in other words, the host, in the geography where he migrated. The host offers a place to the immigrant, whom he/she sees as a guest, and hosts him/her in his home. In fact, the landlord defines where, how and in what way he or she will live, together with the space and draws limits to him/ her. That he/she presents his/her way of life to the immigrant as if it were a rule that he/she must abide by. This style of presentation is a kind of imposition, because it doesn't contain any preference option in it: "I host you in my home. Welcome to my home, save to adhere my language, tradition, lifestyle, laws and rules". This language of life that the immigrant does not recognise and is not familiar with, is an act of mental 'violence perpetrated against him/her. This act of violence takes place through space. Although the immigrant loses his/her place by experiencing a physical migration, he/she brings all the acts of his social and daily life with him/her through his memory. These acts kept in the memory, stands out as the founding elements of the space in the new lands. Immigrants attempt to create their own spaces and lives through their memories instead of venues and lifestyles offered to them. For this reason, space is also the opposite of mental migration and alienation as the preservation of ego and identity. The space, in the migration actions that took place in the current time period, on one hand, is the main actor of eternal immigration and on the other hand protecting identity. The immigrant is stuck between the space offered to him/her and his/her actions and spatial memory in the new lands he/she has come from. The study aims to examine the situation of the immigrant, to question the source of alienation and (main) migration over this sense incorporated by the space.
  • Article
    Evaluation of Promotion Theses of Museologists Prepared Between 1943 and 1973 in Terms of Architectural History
    (Yildiz Technical Univ, Fac Architecture, 2022) Bilgen, Cigdem; Urfalioglu, Nur
    Works by museologists with different occupations and titles featuring important documents are in the archive of the General Directorate of Cultural Heritage and Museums of T.R. Ministry of Culture and Tourism. Archivers recorded them at the Ministry of Culture's inventory as "promotional thesis" and organised them in 330 files from folders 1 to 34. The General Directorate of Classics and Museums demanded such theses from museologists for promotional purposes. Contents and constructs of dissertations about different fields and subjects featured important references. Therefore, these theses have a characteristic to enlarge the scale of research topics or enhance efforts leading to literature scanning for respective research subjects. Thirty-seven of 330 theses with known dates and authors included important information in architectural history and were investigated in the doctoral thesis study. Such 37 dissertations covering the period 1943-1973 were prepared considering Law on Organization of Museums and Observatories numbered 2530 enacted in TGNA on 23rd June 1934. It is the first legal arrangement in Turkish museology's history to officially register museums as separate institutions causing a leap in Turkish museology as of its effective date. With this law, guidebooks illuminating cities' architectural history written by museologists between 1930s and 1970s and published by the Board of Education and Ministry of Culture were prepared alongside promotional theses - products of Turkish museology's progress. This study illustratively evaluates promotional theses written based on law dated 1934 in architectural history. With the study of the 37 theses, written between 1943 and 1973, detection of another respective thesis in the archive and determination of the relevant legislative link and reasoning behind has gained critical importance. When we look at the selection of the topics of the promotion thesis, we see a great variety and substantiality in the subjects. Additionally, it has been targeted to inspire the researchers who have studied in the fields of the topics of respective thesis and their topics. The subjects in these archive documents are archaeological sites, single building scale, urban history studies and period studies. Within the scope of this article, one example of these topics has been selected. The thesis chosen as an example of archaeological sites is Raci Temizer's thesis entitled "Ayazmayeni Koyu Kayapinar Hoyugu Buluntulari" written in 1952. Another thesis is the subject of a single structure scale and M. Hadi Altay's thesis titled "Revan Kosku", written in 1958. The third thesis is an example of urban history studies titled "Kastamonu Eski Eserler Kilavuzu" and it was written by Ahmet Gokoglu in 1949. The last sample promotion thesis chosen as a period study belongs to the Cengiz Koseoglu. The title of the promotion thesis written in 1970 is "Maras'ta Dulkadiroglu Mimarisi". A detailed text about these theses is included in this article study. In addition, the catalogues of these four sample theses, which have been prepared in accordance with the A3 format in the excel file, have been included in the study. The differentiation of promotion theses in catalogues has been in the form of placing only selected sample pages from the text pages and turning all the images contained in the theses into one or more tables. Due to these catalogues, promotion theses have become more descriptive, and evaluations of these theses have been made in detail in many ways. Consequently, this article also emphasises the benefit of this cataloguing method applied for promotion theses. All theses, just like the other theses in the archive of Cultural Assets and Museums General Directorate, are the product of culture policies that started to be applied in the fields of historical works and museums in the Early Republic Period. As stated in the respective acts of law, the promotion of the museum officials as a result of their scientific works prepared in their workplace museums is very important. In addition, the museum officials' examining the architectural works in their theses, both in a visual and literal way is also very important in showing the significance of the contribution of this work not only to the history of architecture but also art history, restoration, archaeology and any other related fields. The Museum Officials criteria in determining the aims for selecting the topics of their theses from filling the gaps in the literature topics, contributing to the museum they work for or working in the fields of their interest or curiosity, shows not only the great contribution of the theses to the Turkish Museum History but also proves that they were prepared in a way to capture the fields of architecture and art history. This study aims to emphasise the importance of this point as well. In order for researchers and scientists to access the data in the theses and use this data in their own studies, it is necessary to reveal these theses contained in the ministry archive.