Doğan Adanur, Evrim

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Name Variants
Job Title
Profesör
Email Address
evrim.adanur@fbu.edu.tr
Main Affiliation
İngiliz Dili ve Edebiyatı Bölümü
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Website
Scopus Author ID
Turkish CoHE Profile ID
Google Scholar ID
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Research Topics

Social Sciences
Arts and Humanities
Literature and Literary TheoryMuseology
Shakespeare, Adaptation, and Literary Criticism
Cultural and Sociopolitical Studies
Narrative Theory and Analysis
Turkish Literature and Culture
Literature: history, themes, analysis

Sustainable Development Goals

SDG data is not available

Publication Collaboration

Affiliation Name Count
Fenerbahçe University 1
Atilim University 1
Versar (United States) 1
Birkbeck, University of London 1
1 / 1
Data obtained from OpenAlex
Scholarly Output

1

Articles

1

WoS Citation Count

0

Scopus Citation Count

0

Scholarly Output Search Results

Now showing 1 - 1 of 1
  • Article
    “True Time Broke”: Temporal Politics in William Shakespeare’s  Richard Ii
    (2026) Adanur, Evrim Doğan
    In Shakespeare's Richard II, the eponymous king's downfall is a profound study of time, sovereignty, and individual identity. Initially, King Richard wields his power over what he perceives as "natural" time, believing his divine right allows him to arbitrarily disregard established customs and succession, such as with his actions at the Coventry duel and the the seizing of Gaunt's fortune, together with bad government surrounded by sycophants. This hubris leads to his deposition and reduction to homo sacer, a state Agamben defines as "bare life" stripped of all political identity. This "unmaking" of his sovereign status, however, creates a powerful tragic anagnorisis. Confined to prison, Richard undergoes a profound transformation. Through the messianic potency of this kairotic moment, he attains a form-of-life—a subjective awareness of his authentic self, recognizing he "wasted time" and is now "wasted by time." This shift represents a katargesis of linear, historical time, where his physical death is imminent, but a new, deeply human existence emerges. Richard's tragic fate is not merely a political event but an opportunity for individual consciousness to emerge from within historical inevitability. This shift from historical to subjective time also pushes the play closer to tragedy, aptly concluding that hollow time is what remains from the hollow crown.